Pieces is a
very personal exploration of very public events. Pieces
is a
soldier's story; a young woman's search for hope as she journeys from
drama school in New York City to military service in the Israeli desert; from peace to shattered pieces in the wake
of Itzhak Rabin's assassination and as she struggles to hold
onto her American love while her Israeli life splinters around her.
My
initial challenge with Pieces was one of presumption.
When Zohar first read the play to me, I was energized by the material and
I saw it onstage in my mind. But at the same time, I had never
directed a one-person show based on real events in that person's
life. I asked myself,
"Who am I to direct this woman when she lived these
events?" What I discovered was the chasm between telling the
story of an experience one has had and a theatrical event. It was
precisely for me to direct her, to dig into her story with her and to
unearth the theatre that it was to become.
My
rehearsal refrain was about action. Zohar was inclined to fall back
on telling the story to us, instead of discovering it before her and
asking us to help her understand what she was seeing, feeling and
experiencing. It was a compelling and engaging story when Zohar
first read it to me; what we did together was to turn a story into a play.