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Having a vision of the way ahead is
fundamental.
The director who cannot collaborate
with his (or her!) actors has mistaken his (or her) vocation.
Young directors simply must from time
to time be hired by a theatrical institution, if only to correct
its inevitable tendency to fossilize. |
Humble Boy by Charlotte Jones
I am only the second person in the world to direct Humble Boy, having served as associate director to John Caird on the American premiere at Manhattan Theatre Club in the spring of 2003. John encouraged me to explore the differences between our interpretations and to direct my own production, rather than recreating his by rote. I chose to foreground the 'walking past the love of one's life' imagery more emphatically that did John, as well as the opportunities to turn around and rediscover that love, be it in the form of theoretical astrophysics or in the starry eyes of a seven-year-old.
Originally, Humble Boy was designed by Tim Hatley, lit by Paul Pyant and with sound design by Chris Shutt. On this production, I collaborated principally with the extraordinarily gifted Associate Designer Libby Watson and the equally sensational Associate Lighting Designer David Howe. Reviews The Daily Telegraph: TheatreWorld.com: BBC Somerset: www.theatre-wales.co.uk: Woking Review: The Bath Alternative: The Bath Chronicle: Farnham Herald:
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